- stills - square pixel ratio vs. NTSC-CCIR 602/DV??
- FCp 2 capture problem solved
- Will titles carry over to new media format?
- Foreign Language Doc
- multiple editors
- Working with large amounts of digbeta
- Circle Generator Question - help!
- changing speed of zooms on photos
- "shimmer" when zooming in still photo
- 4 Cam 3 Hour Concert, Need Advice Please
- Documentary filmmaking or not?
- Belle Nuit Subtitler
- AVID Xpress Pro VS FCP
- quick time export insted render?
- copyright protection
- 16 x 9 or 4 x 3
- Export Long Doc. in Quick Time - advice sought
- fcp
- what does File Error: wrongtype mean?
- 25 hrs of footage
- Advice for a Hobbyist
- experienced documentarian advice needed!!
- Outputting from FCP
- Need FCP 2.0 version immediately, please
- widescreen effect with basic motion
- FBI warning
- Transcription
- media storage
- Documentary cut with Final Cut Pro
- Separate Projects for Media and Sequences?!
- The "Business" of Documentaries
- Burning DVDs?
- Good reads for Documentary editing?
- calibrating colors external monitor
- importing black & white stills into a fcp project
- Microphone for FCP
- source unknown
- should long sequences be separate projects?
- Documentary Preview from the India Himalaya
- Notes from WI Film Fest
- Importing hundreds of jpegs for photos for docs
- What Sequence is best for MIXED FPS MEDIA? 23.98?
- Who's upgraded to 4.5?
- dvi to video adaptor
- General festival info?
- Music rights
- "clean" media management
- Tape Library software
- RToffline preset / DV start-stop
- RToffline preset / DV start-stop
- When is Performance Release Necessary?
- High Def Documentary Workflow
- Working in low res and high res
- mixing 60i with 30p
- Anyplace to talk with Documentary folks in NYC?
- media manager FCP 4 for back up
- Doc shooters collaborative - Farenheit 911 protest
- A basket full of post questions.
- E&O? How much are you paying?
- Squished freeze frames
- Using Stagetools' Moving Picture plugin anyone???
- Final Cut Film Out
- Newbie needs logging tips ( Please! )
- elegant way to edit 2 cam interview?
- Footage of Iraq & Afganistan
- The dreaded dropped frames in playback
- old BBC cooking series
- timecode
- is there a template 4 logging tapes 4 batch cap?
- Different subtitles for projection vs. broadcast?
- Clip size
- Settings for 24P advanced and 16 X 9
- Subtitling Rule of Thumb...
- Need Help reading timecode from Audio Track
- Festivals
- Print EDL
- Closed Captions and Subtitling now for FCP
- Maps and copyrights
- capturing XL2 media w/FCP HD question?
- project loads too slow
- EXPORTING ... 3:2 but why it looks anamorphic?help
- transfering video to 16mm (exporting to 1:37?
- System setup for 90min. Doc.
- stuttering playback
- Does postal/airline Xray effect DV & harddrives?
- Rescuing footage despite timecode breaks
- hard drive recommendations
- Transcribe or capture?
- FCP will not recognize DVX after software install
- HAVE TO Finish a Documentary in SonyHdcam 1080/60i
- can FCP 3 open FCP 4 projects?
- Switching to 24p
- Rights clearance for documentaries
- Shooting footage in a school...
- Sample contracts or budgets??
- importing/converting from itunes to aiff for fcp
- capture now and timecode breaks
- Printing Out Subtitle Text
- 4:3 Full Screen to 16:9 Wide Screen
- Media management
- Rights for private material...a standard document?
- burning a timecode window for vhs output
- Mixing formats, frame rates.
- Film transfer to dvcpro50 in Los Angeles?
- How much to Charge?
- what's involved in the documentary?
- importing still photos from CD
- How to approach PBS
- capturing stills
- Capturing DVCPRO50 on location, DV vs. SD
- (paper edit) scriptwriting process
- Shooting Strategies & Unknown Final Outputs
- Massive increase in project file size
- Need to recapture footage at 24p from 30p, Help.
- getting rights for news clips?
- cutting media down
- Editing in FCP for final output to film:
- Any good royalty free archive/footage sources?
- Subtitles
- Online conference: "Some Kind of Monster"
- Anyone familar with rockport workshops in maine?
- the requirements for capturing Digit-beta format
- Belle-Nuit Subtitler Syncing
- Video Format
- Avid Express Pro to FCP
- 24p, 720p or 30i?
- Who owns the rights to a crime story?
- Converting 16:9 to DV
- Reformatting 16:9 to 3:2
- smoothing out cuts between interviewer and talent?
- storage questions
- Capture Now or Batch?
- External Drives as Capture Scratch Disk
- Finishing Project on Digibeta - Upconversion Issue
- What are we here for?
- Capture help
- Public Domain
- subtitles´font
- exporting a still frame with best quality
- Using FCP 2 and getting out of disk space eras
- best digital camera for stills?
- All sorts of Trouble
- Pearl Harbor and World War II footage
- Render Timing out on large seq
- Guidelines for submitting video to History Channel
- documentary releases
- Documentary
- EMERGENCY - silde sizes
- Need to import files from DVD
- offline frame accuracy firewire capture
- log and capture
- NEVER BEEN DONE released on DVD
- Offline rt with 24P?
- Documentary Funding
- Highest Quality Capture
- Captured on FCP 5.03, need to view/work on Avid...
- moves on still images
- How can you secure clips from local news shows?
- Info on "Fair Use" copyright law
- Exporting logged subclips as a batch list
- E-mail to Video
- March 3: Fair Use Event at NYU
- subtitling for documentary pre-assembly footage
- One Man Pipeline: DVX100A + FCP
- Drop Outs on DV tapes in HDV mode versus Standard
- Fair use - free comic book!
- Logging question
- lower thirds "rules"
- Smithsonian restricts access for filmmakers
- How to determine rate for editing on FCP
- organizing project for a feature doc
- estimating editing time on a doc
- Need budget stock footage source!
- Safe to work off-line in FCP?
- Saving Problem on long-format doc
- Theoretical FCP/Ripping Advice please
- Need input for the visual side of an interview
- Transcription software...
- Post Production Workflow
- The new guy
- sizing photos for 16:9
- Compressing LongFormat HD Shows in Quicktime?
- Onlining questions
- do I need to bump up this dv footage?
- talent release: is the person's address mandatory?
- creative "making of" questions
- Problems Exporting Batch List
- I have a DV sequence, need to rebuild as HDV
- Using laptop instead of tower to cut docs
- PAL to NTSC conversion...
- Film Festivals for Documentaries?
- How to handle 200 Hours of footage?
- logging for documentaries
- PLAYING FAIR: Online Conference on Fair Use for doc professionals
- storage solution
- 24p at 60i for FCP in a 50Hz country
- Documentary Workflow
- Backdrops for interviews
- Relaunch of The D-Word
- Shooting DV but going theatrically?
- Putting all your footage into sequence
- Convert Avid Omf media to FCP-Quicktime files
- Stills- SD to HD- workflow and resolutions?
- A thought about cutting and organisation
- HD "offline" workflow????
- multiple formats in same timeline?
- Project Proposal Writer For PBS
- ITVS Special Conference 17th - 22nd December
- Scanning printed artwork for HD
- Art of Burning the DVD
- making voices pop out
- log notes for markers don't show up in any column for Apple + F
- event documentary, individual audence releases neccessary?
- Free Satellite Imagery with no watermarks?
- "Emotional" Interview Style?
- Prepping clips for transcripts
- Documentary permissions for using private locations
- Graphics for Documentaries